My first photograph in my latest photo series, ‘Art of the Ordinary’ – the everyday, reimagined.

My love of collecting glass and clay works from around New Zealand (and my dislike of having ‘perfect sets’).

How I use colour theory when producing my needle-felted fibre paintings.

Creative Fibre Magazine review of the Auckland Felters’ first art exhibition, by Sarah Ritchie.

My fibre art journey features in the September issue of Creative Fibre Magazine, with my artwork, Pīwakawaka as the cover image!

Here’s a sneak peek into my next (as yet unnamed) fibre painting (a big painting, not a kit!).

Sarah Ritchie's needle-felted fibre art painting, Pīwakawaka, on exhibition in Second Life® virtual world.

Finding your audience or tribe as an artist is challenging, but with quick pivots, experimentation, and the right platform, it’s achievable!

Simplify your art practice and life to focus on what truly matters, avoid burnout, and amplify creativity.

This picture just goes to show that there are SO many different ways to exhibit your art that is outside of the traditional art ‘ecosystem’.

Here’s the making of my latest fibre artwork, the second in my series ‘Sheep on a Thousand Hills’.

‘Ewe-topia: Two Sheep in Aotearoa’ by Sarah Ritchie voted 3rd in the People’s Choice section of the Changing Threads Awards, New Zealand.

Discover the art of smart shopping for your first art materials. Tips on balancing quality and cost while enjoying your creative journey.

Dr Jeff Garon (Auckland, New Zealand) comments on the balance between the digital world and humanity.

The art of letting go is about more than just making marks on paper. It’s a way of embracing life with a sense of freedom and openness.

Collaboration has the potential to unlock a multitude of benefits for your art business.

Discover the secrets behind an almost perfect art exhibition. Learn how Val Cabadonga's 'Puhon' wowed attendees in Auckland, New Zealand.

Creators love to build ‘stash’, one of every colour of the medium they use. Unless you track your stash it's easy to duplicate accidentally.

There are many ways and many different formulas that you could use to price out your art. Which one is the best for you?

My latest fibre creation! ‘Outback Illusion’ by Sarah Ritchie.