Dr Jeff Garon (Auckland, New Zealand) comments on the balance between the digital world and humanity.

In the contemporary art market, digital presence is as significant as physical exhibitions, so how can you best digitise your work?

Planning events like exhibitions, workshops, or performances is crucial for artists. Use my Event Planning templates to simplify your proce

As an artist, NDAs help to safeguard your creativity and intellectual property during collaborations or commissions.

Establishing authenticity is important for your reputation and for the confidence of your collectors, and a COA plays a crucial role.

Collaboration has the potential to unlock a multitude of benefits for your art business.

Discover the secrets behind an almost perfect art exhibition. Learn how Val Cabadonga's 'Puhon' wowed attendees in Auckland, New Zealand.

My latest fibre artwork is finished! This time I've started a series of smaller works titled ‘Sheep on a Thousand Hills’.

My fibre artwork ‘Ewetopia: Two Sheep in Aotearoa’ is a finalist in the Changing Threads Contemporary Textile Fibre Art Awards 2024!

Creators love to build ‘stash’, one of every colour of the medium they use. Unless you track your stash it's easy to duplicate accidentally.

The journey from gold to silver in one’s art practice represents a transformative shift towards authenticity, self-expression, and freedom.

Download this printable resource for eight factors to consider before making your art purchase

In this video Sarah Ritchie briefly unpacks why it’s important to value creativity in the pricing of your work.

Download this printable resource for eight factors to consider when pricing your work.

There are many ways and many different formulas that you could use to price out your art. Which one is the best for you?

Would you like to see how my latest fibre artwork came together for ‘Outback Illusion’?

My latest fibre creation! ‘Outback Illusion’ by Sarah Ritchie.

Awareness is what artists need to have to ensure we remain relevant in the industry.

The following is the way that I was taught to dye natural fibre, and I’ve used it with great success for my fibre art purposes.

Do you wonder if your shy or introverted personality is holding you back in your art practice?